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December

by Amadeu Marin

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December 18:21

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Improvisation recorded in one take (no re-recording) at home on December 5, 2022. Tools: guitar (80's Gibson ES175, additionally kitted with two contact mikes --one on the tailpiece, one on the head), ancient Boss ME-50 guitar multi-effects, volume pedals, Red Panda Particle, Subnup mini octaver, budget reverb pedals and various "preparations" and means of attacking the guitar (both strings and body parts): wooden and metal plates, nail and shoe brushes, electric alligator clips, picks, various drumsticks and mallets, violin bow, pieces of cardboard, small battery-powered fan, etc.)

(CAT) Improvisació enregistrada en una presa (sense re-recording) a casa el 5 de desembre de 2022. Eines: guitarra (Gibson ES175 dels 80 equipada addicionalment amb dos micròfons de contacte --un al cordal, un altre al claviller), multiefectes de guitarra Boss ME-50, pedals de volum, Red Panda Particle, Subnup mini octavador, pedals de reverberació econòmics i diverses "preparacions" i mitjans per atacar la guitarra (cordes i parts del cos): pletines de fusta i metall, raspalls per a ungles i sabates, pinces de cocodril elèctriques, púes, baquetes i maces diverses, arc de violí, trossos de cartró, petit ventilador amb piles, etc.)

(ES) Improvisación grabada en una sola toma (sin regrabación) en casa el 5 de diciembre de 2022. Herramientas: guitarra (Gibson 80's ES175, equipada adicionalmente con dos micrófonos de contacto, uno en el cordal, otro en el clavijero), antiguo multiefectos de guitarra Boss ME-50, pedales de volumen, Red Panda Particle, Subnup mini octavador, pedales de reverberación económicos y varias " preparaciones" y medios para atacar la guitarra (cuerdas y partes del cuerpo): pletinas de madera y metal, cepillos para uñas y zapatos, pinzas de cocodrilo eléctricas, púas, baquetas y mazos varios, arco de violín, trozos de cartón, pequeño ventilador a pilas, etc.)

credits

released January 11, 2023

Mixing, mastering and cover photo, A Marin

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all rights reserved

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Amadeu Marin

Hendrix dazzles me at the age of fifteen and I can't stop loving and exploring the guitar. Actum sparks my curiosity and I discover Zaj, Santos and Brossa. I'm inspired by John Cage's thinking and work, as well as Derek Bailey's expansive language. Above all, I am fascinated by the feeling of being on the edge of the cliff and ready to make the leap that free improvisation offers me! ... more

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